Interviews

Thomas Gold - The Man, The Myth...

 

Back in 2008, TheFreshBeat (TheHouseDepot) told you Thomas Gold was for real. And now, two years later, it seems the rest of the world has finally caught on. In the last 12 months Thomas Gold's stock has soared skywards. While he's circumnavigated the planet DJing throughout Asia, Australia, Europe, Middle East, and North America, Thomas' music has swept club charts all over the world. With bangers like 'Everybody Be Somebody', 'The Button', and 'Shake It - Move A Little Closer', it comes as no surprise that Beatport recently earmarked him 'One to watch in 2010' and Toolroom Records snapped him up as both a label artist and resident DJ of the 'Toolroom Knights' party crew.

After finally getting the privilege to see and hear Thomas throw it down this past WMC at Club50 on the rooftop of the Viceroy Hotel, I felt inclined to sit down and talk to The Man who became The Myth and is now quickly on the rise to Legendary status

SFUNK: I read in your bio that Beatport recently earmarked you as "One to watch in 2010." Just wanted to let you know that here at TheFreshBeat we considered you "one to watch" in early 2009. With the recent success, how has your life changed over the past couple of years?
THOMAS GOLD: It has changed in the way that I now have more booking requests worldwide which means I travel even more now, nearly every weekend and for example, in June I'll be at home for only 6 days! Actually my life has not changed that much, I still love to work in the studio and I love to do my DJ gigs. Especially the DJ gigs / live-performances are so important for me as you get direct feedback for your work, every time it is thrilling to see people getting excited by your music. It´s like being rewarded for my studio work. Also I must say that I have developed my music style a lot due to all the inspiration I get from seeing so many clubs and clubbers… and I´m still developing. If you don´t go forwards you´ll go backwards.  

FUNK: With so many House Music tracks being released each and every day, what do you think sets the tracks you release apart? More specifically how would you describe your sound?
TG: I wouldn't say my tracks are 'set apart' from all the others but I do have my very own style. For example I always do those big build-ups in a track - I just love to see people getting nuts in a club! Also I am a huge fan of the low-end, so all my mixes have some very deep bass sounds. Stylewise I would describe my actual sound as progressive/techy house - often with some tribal elements or drums.

FUNK: It seems like anyone and everyone is producing and sharing music from their bedrooms these days. How do you see future technologies changing the culture of DJing and production?
TG: Making music is still a question of inspiration, skills, creativity and - patience. There are many people having their own pc or mac with some nice production software at home, but if you look into the club music market, there is only a few of them who really 'join' the scene with their productions and who are (and stay) a real part of the market. Maybe just because of the huge number of tracks being released now every day (and actually EVERYBODY can release his track by uploading it on the internet) it is not easier to have success and to get awareness. Regarding the sharing - it can still be a problem if people just share anything to anybody without thinking about it. But on the other side, the internet and sharing makes it easier to get your music spread around the world in a short time - I think I would not being booked all over the world that much without the internet :-)   

FUNK: A lot of the visitors to our site are talented basement DJ's/Producers and are probably wondering what it takes to make it to the next level. Can you shed some insight on the path you took in becoming a world-class DJ/Producer?
TG: As I said before, making music - and if you want to do it in a professional way is all about being creative, motivated and being able to learn every day. It took me a long time to learn - on my own and from others! Also things can be easier If you have some musical background. One of the most important things is that you create your very own sound or style, be it by using some signature sounds, doing your very own arrangement or whatever. And - be professional! I often get demo tracks from young producers and one of the problems I can see very often that they have good ideas but the arrangement of the demo is just easy and boring. Low quality. I just wanna say that every single part of a production, be it the sounds, the arrangement or the mixdown - has to be in full quality! There is so much bad music out there and if you want to stick out of the masses and want to be heard, make it 150%!

FUNK: We've noticed a growing trend of more and more labels and artists giving us their music for free to promote. If you're a label in the year 2010, how do you deal with the declining number of people that are actually buying music?
TG: Good question. The problem is that if the labels don't make money from selling their music, they can't pay the artists and producers. And if we don't get paid - how shall we pay for our equipment, software, time? I think that is really important to distinguish between a 'useful' professional sharing and the 'useless' sharing. People should think a bit more about the fact that the whole industry needs money to stay alive and if they would maybe share some tracks but also BUY some, we would all profit from it. At the end many producers will shut down their business because they can't afford doing it anymore. And who really wants this to happen…?

FUNK: What are some of the ways music blogs like TheFreshBeat have had an influence on your career over the past couple years whether it be positive or negative?
TG: I think these blogs help a lot to make myself and my music known to people all around the world! They are a great tool to easily get information about what's new and what's going on in the market. As a producer you can see that you did some good work when it appears on one of these blogs - although I'm not 100% happy if people just spread free music via a blog or site. At least there should be some added value, like information or discussion.

FUNK: What equipment do you prefer when performing live?
TG: Oh, I'm still old school (haha!) - I use 3 CD players and some effects processors. Of course I do my own edits and mixes but this happens mostly in the studio. I'm still thinking of bringing a laptop on stage but  I just love being hands on and I love the Pioneers :-)

FUNK: I know there are so many to choose from, but what is your single favorite track of all time? What is your favorite current track?
TG: My favorite track of all time is Michael Jackson's 'Thriller' - the bassline made me freak out when I heard it the first time and I still could listen to that track over and over. Currently I love David Amo, Julio Navas & Gustavo Bravetti ´Raw´ - for me it is an awesome tune and always part of my set at the moment.

FUNK: Now that you've established yourself, can you name a few up and coming DJ/Producers that we should look out for?
TG: Yeah, I think you should have a closer look at producers/DJs like Avicii, AN21, Max Vangeli and Mark Mendes. It is just impressive what these guys did in the past months and I think they will be amongst the big players in short time!

FUNK: What are your plans for the rest of the year?
TG: Apart from traveling a lot, I'll have my next release on Toolroom out on June 23rd and I'm working on some new stuff for summer. Also I'm presently doing 3 cooperations with other producers and my own album is scheduled for October!!

Twitter - Facebook - Myspace - YouTube - SoundCloud - Website - Beatport

 

Bingo Players - Dance Floor Dynamite

Born to create beats that tear the walls down at every club they play, it's no surprise that Paul Bäumer and Maarten Hoogstraten have joined forces to create the synergy we know as the Bingo Players. By far the Fresh Beat's favorite performance from this past WMC, the energy and excitement that these two bring to their live shows is simply unreal. Their unique chemistry and floor murking sound have Paul and Maarten on a crash course with Electronic Dance Music domination. With the upcoming launch of their own record label and future collaborations with the some of the music industry's biggest names, the Bingo Players are poised for a HUGE year in 2010.
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RON KUSH: You guys seem to work perfectly together. What would you say differentiates your styles from one another?
BINGO PLAYERS: We think it's because we are a balanced team. During producing tracks, Paul is the one that keeps the concept in mind, the big picture. Maarten is working out the details and the technical stuff. While DJ'ing, we don't have a specific role though...

RK: It's great to see DJs that are intensely into their live sets, grooving back and forth with the crowd like you guys do. No matter who’s on the decks at the moment, both of you are letting loose behind the booth. You see some DJs out there that approach it more as business as usual. True; this is your career. But come on, you’ve got to love being out there working the crowd!
BP: Exactly,we love it! Though we think every DJ should do what he/she wants when they play. Some are more concentrated on working the knobs. We just love to give the crowd energy, and when they give that energy back to us, we are going even more bananas! :)

RK: So where exactly did the Bingo Players name originate from?
BP: A guy we know had a nickname on MSN Messenger called "I'm a Bingo Player". We thought it was funny and used it. We asked our friends first, because we weren't sure. But they loved it and so we kept it!

RK: What would you say has been your favorite venue to play at to date?
BP: It's very difficult to point out a favorite venue. We had so many great gigs last year that we can't really pick one. For the Netherlands, we had real fun nights in the Panama, Amsterdam. Also it was great to play in Cocoon, Frankfurt. It's such a legendary club, with a huge soundsystem and great crowd! We're also looking forward to play the festivals like Creamfields Australia and the big ones in the Netherlands this summer!

RK: You guys have worked with several well-known names out there to produce some legendary Beatport chart-toppers. Is there anyone out there you two would like to collaborate with in the future?
BP: We would love to do something with other artists that aren't specifically active in the house/dance scene. For instance, it would be awesome to do beats with Pharrell Williams (from N.E.R.D.) or record vocals with a famous rocksinger.

RK: Bingo Players have a very unique style that is definitely Dutch influenced. How would you describe your style, and where do you see it going in the future?
BP: Actually, we don't think about genres and labels very much. We just do what we love. Sometimes it has a housey vibe, other times it's more techy. As long as we feel it and it has energy, we'll release it. We really don't know how our sound will progress, as long as it will comply with these conditions...

RK: So you guys are getting ready to rock a live performance. Any pre-set rituals?
BP: Not really actually! Only drink a glass of Vodka & Coke and hype up ourselves, so we're ready to give it all we got.

RK: When you two aren’t in the studio or on the road, what can we find the Bingo Players doing?
BP: Expanding our CD collection (we love to search and buy rare 70's/80's & 90's CD's online), watching movies/episodes and playing videogames!

RK: So what's in store for the rest of 2010?
BP: We just released Tom's Diner and we also did a remix for Fedde Le Grand's "New Life", which will be out on Flamingo Records soon. Also, we're working on many original tracks, as we did so many remixes last year. We're working on an own label at this moment, which we will use to release our tracks on, together with great tracks from people we like to work with. So keep an eye out for that!
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Bingo Players recently put together this greatest hits set:
Check it out here

Follow the Bingo Players:
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MySace

 

Bart B More: Dance Floor Dopeness


The Fresh Beat recently had an opportunity to peak inside the brain of Holland's own Bart B More. As you all know Bart is a cat who is consistently cool with his work. Defiantly one of the front runners in the House Music world. Get your mind right and dive in to this Fresh Beat Exclusive!

So without further ado,

We bring to you:

Bart B More - Dance Floor Dopeness

Check out the exclusive interview and mix after the jump.

Click Read More Now!

   

Interview: Afrojack

 

THE FRESH BEAT: Ok, lets get the basics out of the way. Full name? Where are you from? Where are you now? Age?
AFROJACK: Nick van de Wall, Spijkenisse, the Netherlands, in my bedroom studio, 21 years young.

TFB: What's your style in three words or less?
Afrojack: Different, Crossover, Fat

TFB: If you could spin at any club in any city, where would it be and why?
Afrojack: DC 10 Ibiza, in the big hall, it has an amazing atmosphere constantly with almost no lighting, sound is sublime and the people are amazing!


TFB: With so many electronic music tracks released every day, what factors do you feel propel a track to the clubstream (mainstream)?
Afrojack:
In my opinion it should have something recognizable, doesn't have to be original percé, but for me the sound has to be either big or very different, but still
has to sound good in the clubs. What I'm really noticing in Holland lately, is that people like a lot of different styles, so it can go from old school organs to
Klaas' big saw Tooths, as long as the sound blows you away!


TFB: Where do you see House music in 5 years? Do you see the US embracing a strong House Music culture the way Europe has?

Afrojack: House Music will rule the world! Lol, you never know, I love house music and everything attached to it, and I'm sure American artists that are doing hip-hop right now will find a way to put that sound in house music, but eventually when you lay all styles next to each other, it all has one thing in common, its music! Everything has its own way of climaxing...in 5 years even rock music will be electronic (I think
it already is?) and House Music will still be there, a bit bigger, but not extremely since it will never be accepted into society jumping up and down in a crowded room with drunk, sweaty people!! (but you know what they say, f*ck society)


TFB: We have seen other musical genres (such as pop and hip hop) embrace the house remix of top songs.. Do you think this is beneficial to the scene, or just unnecessary dilution?

Afrojack: I Think that it happens because the club scene is growing a lot stronger, and trendy, so the artists want their music to be played there too. I think it's nice because
it allows house music to introduce itself to the mainstream people, but it definitely doesn't bring anything extra to the people that already understand and have a house music mindset!


TFB: We completely agree, clubs are the epicenter of where the best tracks are dumped into the mainstream...besides who the hell doesn't think poppin' bottles isn't cool? The house scene has been geared around computers and the endless music libraries that they bring. Accessibility to bedroom producers and hobby DJ's is at an all time high. Do you see this as the inevitable next step, or does it take away from the pioneers that mastered the analog generation?

Afrojack
: The pioneers of the analog generation will always be kings because they know how sound works, therefore they shouldn't have to be worried about the digitization of music, only some competition. But that what happens with big things! I myself have been a bedroom producer for I don't know how long!


TFB: What are your thoughts about house music blogs such as TheFreshBeat? Are they more helpful or more harmful for producers/artists both unknown and established?

Afrojack: Their helpful! Artists that say that it works against them are crying because they make less money, every artist makes enough money from his bookings. They
get bookings because they're popular. They get popular not only by BeatPort, but also by forums, big sharing sites and especially blogs! Don't get me wrong, I think
it's only respectful to buy the tracks because there is no chart for illegally downloaded tracks, so the artist would never be publicly "praised" for his work..
But when its there I couldn't care less if you bought the track or downloaded illegally.. 9 out of 10 people work their ass of for not so much money, how
can you expect them to buy music they can get for free? Let alone that it's easier to find something on Google or sharing sites/programs then entering your credit card info or making a Paypal account. To top that not everybody has a credit card or Paypal, but everybody does have internet!


TFB: Whoooooaaaaaaa! FreshBeat viewers, you guys read it here first, un-edited, un-cut and straight from Afrojacks mouth. Bold and it's the truth...eat it up haters. So Afrojack, how is your schedule looking? Are you living off your music and gigs?

Afrojack: Yes, I started with working a side job in bars etc. now only performing a lot in Holland, just a few outside Holland, say 20 a year, play about 20 gigs in Holland each month!

So, gigs are looking very good, and of course my music making is nice, but it doesn't make money directly, but they make the bookings possible. I also think that that's the reason you see some producers just not releasing any music for a few months, not because they're too busy touring, but they feel that that's not the thing that gets them they're paycheck so to speak.


TFB: This is some good insight for those who are planning a career around this. You better know how to spin if you plan on making it a living. What DJ's/things inspire you the most?

Afrojack: Laidback Luke, even though I know better producers, he is my first and only production teacher, not literally but he always was there when i didn't understand stuff,
his forum helps too BTW, check it out here.

Erick Morillo, don't know the guy, heard a few of his sets and they were cool, but not OMG WTF crazy too cool for school or something, but still he was THE Rockstar DJ everyone wants to be and all the girls want to be with, and he played the scene so well that he still is and probably will be for a while!

Axwell, for his music, every year he makes one track that touches my feelings!

Daft punk, for their music, 9 out of 10 tracks they made show how simple yet effective music can be, the big example that you don't have to make commercial music to become known and respected as a producer!Above that, they have a crazy fat sound

Carl Cox, because as a DJ I never saw anyone do it better! When I listen to him on a set I don't care too much because he doesn't always play my favorite music, but live performance... it's like being thrown into the best party ever every time!


TFB: Man, it can't get any better...First off, that shyt you said about Carl cox is as truthful as it gets...when he played down here for Ultra, it was one of the best live performances we have ever seen...for real! That is not an overstatement. We have been to many WMC events and tons of live performances and Ultra every year..it was pure death, hands down. Alright, So what do you got going on right now and what are your plans for the future?

Afrojack:
Just Finished a track called "I Want To Sound Like Daft Punk", gonna easily continue my path of producing, releasing on my own label, do some remixes here and there and hope that people will like my music.

The biggest plans for 2009 to start, are releasing on a regular basis, release not only clubby house tracks but also listening music, sign other imo talented artists ( This e-mail address is being protected from spambots. You need JavaScript enabled to view it , always feedback ;-) and last but not least, party like there's no tomorrow, one thing I learned last year is that if you want to do something, you have to do it immediately, "dreams" are not that far way, never!


TFB: Good to hear you work hard and party harder...it's the Depot "straight hustle" lifestyle. Break down your equipment both hardware and software for mixing and production.
Afrojack: Hardware...I have no synthesizers or anything, just a big quadcore computer with two 22'' screens, a bigass m-audio midi controller / keyboard, focus rite saffire soundcard, m-patch 2 volume controller and 4 KRK Speakers, 2 rokit 8's and 2 VXT 8's, for my headphones, I used to use the beyerdynamics but I lost them. Working on getting a Sennheiser dj-headphone right now and I do not recommend it for producing!

Software...a lot of people look at me like WTF when I say this, but i use and always used for almost 10 years now Fruity Loops, started with Fruity Loops 3, and now its FL Studio 8, its been a while. I use almost only standard fruity compressors for effects, my main synths come out of the Arturia Juno and NI Massive / Pro 53, but also Fruity's old 3xosc, for the "mastering" (I never let anyone else touch my tracks, it might not sound as big as a Steve Angello or David Guetta track, but atleast i did it myself!)...

Well the "final mixing" then, I use a lot of Waves plug-ins, won't say anything but the last thing it goes through is the L3, and between all the compressors and other effects there is also an Izotope Ozone. For easy/light mixing I used to use a Kaerhus or something "Classic Master Limiter", still use it on my laptop but I dropped it from my Final Mix in summer 2008, it does a good job but not as precise
as the Waves Plug-ins for instance

MYSPACE

 

Interview: Ryan Riback

THE FRESH BEAT: What is your full name, age, where are you from, and where do you currently reside?
Ryan Riback: My name is Ryan Riback, I was born in Johannesburg, South Africa, I'm 27 years old, and I currently reside in Melbourne, Australia.

TFB: What's you style in three words or less?

RR: SexyTwistedDirtyElectroTechHouseMusic (that counts as one right?)

TFB: If you could spin at any club in any city, where would it be and why?
RR: Watergate, Berlin. The lighting and the atmosphere in there looks insane!

TFB: What are your thoughts about house music blogs such as TheFreshBeat?
RR: I think its a good way to find out about the latest music, even though the artists are seeing no loot...


TFB: Are they more helpful or more harmful for producers/artists both unknown and established?
RR: I think its both. The way people get any form of music has changed which means we need to find other avenues to make revenue... ie touring and compilations. Unknown artists definitely get exposure to a wider audience now which is great.

TFB: What or who are your influences and why?
RR: My biggest influence is any music that makes me want to dance, it must have a lot of energy or a quirkiness that makes you want to bounce. There are too many artists to name them all, but my biggest influences would have to be Switch for his Twisted mind and Sebastien Leger for his melodic blips and bleeps.

TFB: Sebastien Leger's got some muthafucking talent. What do you got going on right now and what are your plans for the future?
RR: Got quite a few things going on in the studio... remixes coming up for Macy Gray, MC Flipside, JELO, DJ Ortzy, T-Rek. My plans for the future are to put out some more originals as soon as my profile gets a bit bigger, remix some more, and tour the globe a bit.

TFB: Do us a favor and fix us up with that Macy Gray and T-Rek please. I like Macy Gray, even though she's got a couple loose screws. Alright Papo, break down your equipment both hardware and software for mixing and production.
RR: All i use is Propellarhead Reason4.0 and my sturdy Quad Core Windows PC... along with my MK449 keyboard :)

TFB: What was the breakthrough moment/gig that got you started in this business or that you feel propelled you into the industry?
RR: I think the biggest thing for me was the move to Australia, once i got here and started networking with local artists and becoming involved with projects through Vinyl Pusher Records, things started to happen.

TFB: What do you like to sip on (drink) when your behind the decks?

RR:
I usually like to keep it pretty sober if im entertaining a crowd, being my job and all... but if i must drink, its usually a Jameson whiskey or Jaegerbombs.


TFB: What city best represents House Music?
RR:
Used to be Chicago, but i think now I'd have to say with all the different sub genres, its a bit all over the show.

TFB: What does Ryan Riback do for fun when he isn't ripping up the dance floor or producing?
RR: Just hang out with my mates and talk crap.

TFB: How do you set up the transition from one song to the next? What do you look for? Listen for? Or try to feel? For example, when your mixing it up, what are you thinking about when trying to structure your set?
RR: I really try to read the energy of the crowd a lot more these days, i find that alot of amateur djs before me will just smash the crowd with the most rocking stuff they have and not let them breath... I like to play my set up and down, let them relax for a bit if they have to... i always take some old tracks with me as i find a good old classic really stirs up emotions of years gone past... i sort of know which songs go with just from playing them often, but always mix it up with filters and fx so that any track should mix at any time.

TFB: We know your tearing the Aussie scene up. When will we see you spin abroad and where to first?

RR: My first official tour away from my new home is probably New Zealand (because the air fair is so cheap).

Ryan Riback Myspace

   

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